I STARTED WITH
SYSTEMS THAT THINK.
B.E. in Artificial Intelligence & Machine Learning. Models, data, probability, Python — the part where correctness has consequences.
THIS IS THE“ABOUT ME” PART.
I’M SUPPOSED TO
EXPLAIN MYSELF.
COULD DO THAT.
OR WE COULD
TAKE IT APART.
ZAYAN ABOOBAKER.ZAZA, IF WE’RE BEING EFFICIENT. / B.E. ARTIFICIAL INTELLIGENCE & MACHINE LEARNING / 2025
DATA HAS NARRATIVE.
COMPOSITION HAS LOGIC.
THEY WERE NEVERI DIDN’T START
IN A BROWSER.
B.E. in Artificial Intelligence & Machine Learning. Models, data, probability, Python — the part where correctness has consequences.
Industrial sensor streams, RS485 time-series pipelines, anomaly detection, predictive maintenance and real-time monitoring.
ML/NLP models, automated preprocessing, OCR and a medical diagnostic assistant. Less clean data. More real-world edges.
An ATS-style system processing 500+ resumes. NLP extraction, ranking, Flask APIs — suddenly the way people used the system mattered too.
Cinematography, photography, composition and timing. I was learning how to control attention long before I called it interaction design.
Not instead of engineering. Because of it. The system, the image, the motion and the implementation became the same problem.
THAT.
THAT TOO.
IT CAN GET
A LITTLE EXPENSIVE.
THE BORING
OFFICIAL BITS.
FINE.
HERE’S THE STACK.
Pick the problem. The stack reroutes itself.
Images in. Useful signal out. Classification, feature extraction, preprocessing and real-time inference.
Messy text, documents and prescriptions turned into structured input the rest of the system can actually use.
Time-series, anomaly detection, feature engineering and model evaluation for data that changes in the real world.
Models are only useful when something can call them. APIs, databases, testing and deployment glue the system together.
Scraping, browser automation and repeatable pipelines for the work nobody should be doing by hand twice.
I learned to build models, APIs and systems before I started obsessing over what a browser could feel like.
The camera side was always there too — cinematography, photography, composition, timing. Eventually the two sides stopped pretending they were separate.
Now I make digital work where the idea and the implementation are the same job.
I’m still learning.
I intend to keep it that way.
ENOUGH ABOUT ME.
LOOK AT THE WORK.
THERE.